Time to turn the page and a new leaf! Many thanks to Francois Caspar for this beautiful poster
In our previous post you probably noticed the elegant spire rising out of the sky. That’s Taipei 101, the City’s Pride and Joy–especially on New Year’s Eve. Until the January 2010, Taipei 101 was the Tallest Building in the World.
Aside from the obvious publicity effort that goes with a unique landmark, how do you assure the Public that this feat of engineering ingenuity is safe in earthquake-prone Taiwan? The Answer: Damper Babies!
Check out how the Tapei 101 communications team translates hard engineering data and dry facts into an endearing, loveable animation that is appreciated by young and old alike.
Taiwanese designer Tien Min Liao who currently works in New york created this awesome book called Ilha Formosa which introduces Taiwan via infographics.
“When I came to the United States, I noticed that many people don’t know my hometown Taiwan. Some people even cannot tell the difference between Taiwan and Thailand, just because they sound alike. As a designer, I think I should do something to promote this beautiful island.”
“I would like to do something very different from the other books about Taiwan. It would definitely not be a tourist guide, nor a boring government-published book. It should be interesting and casual, but also clear in delivering the information about Taiwan.”
Who’s there? Jen Bilik, that’s who!
Design Entrepreneur and Knock, Knock creator Jen Bilik sat with XCD to share her lessons learned on being her own client and “product”, dealing with global competition… and it’s no joke…
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Sangam, which means confluence in Sanskrit, was launched by the the Australia-India Design Platform at the NID (National Institute of Design) campus in Ahmedabad. The Platform is a catalyst for a creative partnership between the two countries. New Delhi-based design firm Ishan Khosla Design was charged with the identity and branding of this initiative.
Founded in a coffee shop in Covent Garden in 1754, the Royal Society for the Encouragement of Arts, Manufactures and Commerce (RSA), seeks to develop and promote new ways of thinking about human fulfillment and social progress. Small wonder they would enlist Visual Thinkers to communicate their thoughts and aspirations in an increasingly complex world.
Visit this link for a sample presentation and join the conversation
Or check out more discussions in the RSA Animate Series
Our esteemed Argentinian Branding Guru shares some thoughts from his studio in Barcelona. Enjoy his lovely illustrations of ink and watercolour.
A psychological and philosophical approach of the relationship between stories, identities, images and brands, looking for the understanding its mechanism, since this affects the work of identity designers.
If we try to answer what or who we are, we would possibly tell a story about us. This would be a story that has a title, our name and may be our image. This story will probably tell everyone about our origin and develop, but leaving an open ending because we are still alive. At the beginning, the story will place our origin, our birth, in a scenario and context: the social group and place that gave us life. This origin also involves to the people who bred us.
Christopher talks about being Irish, celebrating cross-culture and poster design
XCD: Please introduce yourself, ie., Where were you born and what neighbourhood did you grow up in? Could you tell us more about your family and how you became a designer? Who are your favourite clients/collaborators?
My name is Christopher Scott a graphic designer from Northern Ireland. I have had my posters exhibited all over the world including the Louvre France, Italy, Peru, Spain, USA, Bolivia, Korea and many more. I was brought up in a village called Donaghmore of which I do not remember much about. The three things which are clear in my mind: the house number was 18, all the kids played football after dinner until we could not see the ball because of the darkness and finally I drew pictures of my favourite characters ‘Super Mario’ and ‘Teenage mutant hero turtles’. I would then sign them, go around the houses in my neighbourhood and sell them for 50p so I could buy sweets in the local shop.
As long as I can remember I was always drawing and painting. Which continued until the year 2003; I was 17 years old. I became very bored with the drawing and painting process because I felt that I was not creating anything unique. I started to search for other methods to use my creativity and I randomly turned on the computer one day in school and opened up the program Microsoft Paint. I just started experimenting and within 3 hours everyone had surrounded me and saying the work is amazing.
I have collaborated with many graphic designers all over the world including Yossi Lemel, Reza Abedini, Woody Pirtle, Hervé Matine, Utpal Pande and many more. I also really enjoy working with Ryan O’Neill and Mark Douglas who are local photographers in Northern Ireland.
Our contributor from Argentina formulates a theoretical framework on how identities are shaped by images.
Identities are built in a process of identification which is related to the social life of images. For this reason, it is important first to analyse what an image is.
There are many definitions of what an image is. As Mitchell pointed out, Plato relates the definition of image to that of an idea, whose root idein means to see (Mitchell, 2006: 348). Likewise, the image has also been defined as imitation in itself relating its name to the Greek term imitari, to imitate (Barthes, 1991: 21). Later, Maimonides defines the image as likeness such as in the “man’s creation in the image and likeness of God” (Mitchell, 1986: 31), as a series of predicates, listing similarities and differences, as an essential reality of a thing.
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